Watercolour Negative Painting
In this series, master negative painting and learn techniques to enhance the space and dimensions of your paintings.
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Limited-time offer: 35% Off
Introduction to Negative Painting
SUITABLE FOR ABSOLUTE BEGINNERS
In this 3-hour course, master the fundamentals of negative painting, including when and how to use it, how to select the best reference photos for this technique, and learn to enhance space and dimension in your artwork.
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What will you learn
Negative Painting: Florals in Full Colour
SUITABLE FOR BEGINNER-INTERMEDIATE ARTISTS
In this 3-hours course, learn to create layers, light, form, and texture using both wet-on-wet and wet-on-dry brushwork. Practise pattern recognition, learn colour structuring, and understand the illusion of light direction and underlying space.
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What will you learn
Get access now
Choose from buying lifetime access to either courses or buy a combined bundle at 35% off.
Introduction to Negative Painting
$35
Buy lifetime access to Introduction to Negative Painting.
Suitable for absolute beginners
Florals in Full Colour
$35
Buy lifetime access to Part 2: Intermediate Drawing.
Ideal for artists with foundational skills
Introduction to Negative Painting & Florals in Full Colour
$45
Buy lifetime access to both courses and get 35% off.
Why do these courses
Foundation to Techniques
Start the first course as a beginner and apply your learnings in the second.
Jam to your beat
Own, watch, re-wind and learn per your convenience.
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What are others saying
Karen J
Love the Negative Painting style Jill teaches. Thank you for the tips and tricks shared.
Adi P
Not perfect but who cares. I did improve my layering ability - somewhat.
Bonny P
Lots of things to remember with this technique, hope to learn more!
Jill Gustavis
Jill is an artist and art director from The United States. She has a Bachelor’s Degree in Interior Design. Many of Jill’s paintings focus on an average subject with dramatic lighting or contrast creating a theme of “everyday, illuminated”. Her favourite subjects include flowers, plants, landscapes, interesting architecture, and her cats.
A critical element of Jill’s teaching is to anticipate what would help a student understand how a technique works in a specific exercise and how that concept could work in any painting. Teaching for her is about both the mechanics and the mindset.
